Friendzy
2006.11.30 @ 23:08Clown tears’ Kleenex has come in the form of a frenzy of friendsies, who have appeared en masse apropos nothing save perhaps the holiday festing natural to this time of year. Returning the generous spirit of a Crazy Omeze Turkey Day or a rockin’ Nicholas P.Q. Hot Dog party in the ‘Slope, I want to
- Give a shout-out and thank you to KDub for her props to my brog. I’m trying to feed esprsso with her blog 411 and hope to become a regular reader once MySpace gits it backend in order.
- Welcome JRC back into the fold of Team USA and HIGH FIVE him for choosing WordPress, the numero uno choice for communists and comment spam fighters alike.
- Thank Heather for her regular stream of workplace-inappropriate email forwards, which keep me chuckling while I’mma paper-shuffling. Can’t wait to see her when I’m home.
The real impetus behind this post is a touching email I received earlier this week.
Backstory
This summer I frolicked around my hood (SOuth of the Navy YArds) for a SONYA open studio, where I peeked into the studio of artist MPLandis. At first I thought it was the same Michael Landis with whom I used to work at a pharma agency, hence my investment in many flights of stairs. Although it wasn’t, I really dug his art, and put my name on his mailing list.
A couple of weeks later, I get an email announcing that MPLandis is clearing out storage and selling much of his work at cut rate prices. ACT NOW! Having achieved a new place in my “personal work” and realizing I was worth my own sammich art collection, I vowed to buy something of his. Anything.
The day of the open studio sale, I puttered over to my grody neighborhood grocery for a sticka butta, gallona milk, and loafa bread. While rounding the corner of the C Train, I noticed a perplexed white dude with a large black instrument holder thing.
(Alright, first I noticed his build, and thought mournfully and self-pityingly “Oh, that looks like Mr. 940P, boo hoo for poor always-getting-doom-ped-moi.” (Never mind that 940P was an unawares alcoholic with a coke problem who made out with the very male editor of People en Espanol in front of my very eyes.))
Anyway, perplexed white dude asked me which direction Lafayette was, and I pointed him on his merry way.
Couple hours later, I change into my hoops gear so I can shoot some hoops on the courts outside o’ MPLandis’ studio. When, a few blocks later, I huff and puff up the steps, who do I see in MPLandis’ studio but the perplexed white dude playing cello!
I can’t decide which pieces to buy, but finally settle on this chaos in blue painting, approximately 3.5′ x 4′.
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Turns out it was created while Tom (the cellist) played and MP (the artist) painted. Which makes sense; perhaps with Tom playing as I regarded the works made this piece in particular speak to me. Putting my brain in the right place and all.
So I buy the painting, go shoot some hoops, go on my merry way.
Fast forward to this week.







